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Archive: interview

Spooky for Eva DeVore: Look behind you.

Spooky is an amazing example of how fashion thrives. period. We were smitten with her latest line, sexy nerds meet romanticism. I personally think it’s about damn time!

S.F: How long have you been into fashion and whats the most interesting early experience you had with fashion?

Eva: Figuratively, I suppose I have been into “fashion” since I could physically dress myself, and by fashion I mean an awareness to what was being worn on my body.  I was an odd child.  I never wore matching shoes, I mixed prints with plaids, I refused to comb my hair, and I would like to think I did those things on purpose.  I couldn’t stand the look of being pristine and I always saw something alluring about being slightly disheveled and individual.
Realistically, my captivation towards “fashion” came later in life, and by fashion I mean an awareness to what was being worn on everybody.  Since I was younger, I had developed an artistic dexterity and responded extremely well to most tangible forms of expression.  As I grew older I began to figure out how to transfer those skills in clothing.  Even so, when I graduated high school, I was among the top of my class, so naturally everyone urged me to pursue academics.  In the fall of 2002, I found myself enrolling into U.C.L.A at the tender age of seventeen.  Not more than a year into college, I dropped out to the dismay of everyone….everyone except for myself.
After a break from college and time to get my head on straight, I enrolled at the Fashion Institute of Design in Los Angeles and graduated in June of this year.
Hands down the most interesting experience I had in the industry thus far was doing Project Ethos-a celebration of young talented artists, fashion designers, and musicians.  Literally a week after graduation, I got a call that I had been the youngest of seven designers chosen to showcase a collection.  The next three months of my life were completely dedicated to the project.  I mentally and physically toiled over creating an entire collection of fifteen complete looks completely on my own.  The entire process was intense.  I not only had to conceive and sketch my designs, I had to create patterns from scratch, do my own fabric shopping and sourcing, sew everything together, and tailor the pieces to the body.  The most rewarding experience so far was not the moment I walked out on stage in front of a cheering crowd of two thousand, although that was quite amazing, it was moments after when I snuck into the masses and was pulled aside repeatedly by people I had never met assuring me that I was in the right line of work.  To me, that made everything worth it.  That experience and the people involved will always be held in high regard to me.

S.F: Is there an interesting story behind your great name, and the nickname Spooky?

Eva: My real name, Eva Marie Elsie DeVore, was a mish mash of names between my Spanish-Mexican father and my French-Canadian Mother.  Obviously unmarried, my father wanted me to have many names, especially his last name, so my mother agreed as long as she could give me my first.  Eva was my mothers mother and Marie Elsie DeVore was my fathers mother.  Ironically, in my younger days, I was never fond of my name.  I thought it seemed antiquated, most likely because I associated it with my grandmother.  I vividly remember wanting my name to be Lisa after my favorite artist at the time, Lisa Frank.  As I grew older, though, I didn’t mind my name so much and am grateful now that my name is not Lisa DeVore.  It just doesn’t have the same ring to it ;)
As for spooky, in my childhood there was nothing I loved more than jumping out of the hall closet to frighten the unlucky soul who happened to be walking passed.  I imagine that’s why people started calling me spooky.  In a way, it sort of stuck, and what better way to name a line than with my alter ego.

S.F: Is it competitive in southern California for startup designers, do you find anything totally necessary for survival (image, presentation, originality, cut-throatism)?

Eva: It is competitive for new designers in this industry no matter where you go.  Obviously the opportunities in Southern California are more limited as opposed to New York or Paris, but that doesn’t mean that there aren’t any.  I am still new in the game, I still have my doubts, I still don’t know where I’ll be tomorrow, but I do know one thing.  I am going to make a name for myself, even if it is only on the indie lined streets of Los Angeles.
I think every designer needs to acknowledge what they are strong at and work with that.  My particular strengths are pulling together a beautiful color palette, harmonizing contradicting silhouettes or textures, and introducing original one-of-a-kind elements into my pieces.   As far as image and presentation, that is tricky.  What I mean is, personally, I prefer my work to be displayed in an organic manner and to appear as if it was crafted by hand.  I appreciate that quality and adhere it to the spooky line.  My customers usually respond well to that aesthetic, yet, some people might consider it messy or unorthodoxed.  You really need to study and understand your potential clientèle.  Go to any successful designers website and you will see what I mean.  Chanel is simple, elegant and clean.  Missoni is loud, bold and mysterious.  Zac Posen is youthful, airy, and intricate.  Vivienne Westwood is bright, shocking, and avant-garde.  They didn’t do that on accident.

S.F: What inspires your pieces?

Eva: For my California Fall Collection, my inspira tion for the color palette was Batman and Robin.  I used different shades of grey as my base colors then threw in subtle yellows, rich blacks, and rustic reds to accent and stand out.  My textile choices were a result of two things, my lack of money and my ability to pull it off gracefully despite my lack of money.  I made this entire collection for under $400 which you could spend in one trip for a couple yards of designer fabric at Mood.  I spent hours upon hours digging into the darkest corners of the garment district searching for steals.  Most of the fabric used was bargain priced at the store down the street or priced by the pound in dusty old Los Angeles warehouses.  I was definitely constrained by lack of resources for this collection, not only fabric wise, but construction wise.  I can pattern and sew effectively, but I am not a pattern maker nor a seamstress.  I am a designer.  Therefor, my designs thus far are limited to what I can pattern and sew.   I can’t wait until the day those limitations are lifted and I can fully express my creativity through clothing.

S.F: I noticed this season has a couple nerdy girl themed modeling, do you consider yourself a nerd or what do you find interesting about that subculture?

Eva: I am most definitely a nerd and always have been.  Maybe not the stereotypical nerd with glasses who builds there own light sabor at Disneyland, but everyone has their own interpretation o f what a nerd is.  I was a book nerd in high school and I have always had a bit of a quirky personality.  Whether that had anything to do with my “nerd” theme in my collection, it is a possibility.   To be honest, my good friend Isabel Gomez is an assistant buyer for the vintage eye wear department at American Apparel and I have had a strong liking for “accessorizing eye wear” for quite some time now, so she helped me out in that department.

High fashion, street fashion, or high street fashion and why ?

Eva: I really do love every facet of fashion.  My niche absolutely lies in street fashion.  I create clothes for my customer, my friends and the countless bodies I see parading around the streets of L.A. after dark, the people I know best.  Everything is hand made with time and care.  One aspect I like to add to every hand made piece is the owners initials in the tag so the garment becomes not only a keepsake and part of their wardrobe, but it also becomes a completely unique and personalized piece. The subculture here is incredible and, like any subculture, has it’s own distinctive vibe and stories to tell.  I just hope to create clothing that can help deliver that story.

Please check out more about this designer!
Article on her previous line: http://www.stylehive.com/blog/fall-weather-and-cozy-jackets
Myspace: www.myspace.com/spookyforeva
Fad Masion: http://www.fadmashion.com/?q=spooky
Contact: evadevore [at] aol.com

Designer Interview: 1AEON

1AEON, who consists of Gabe Molnar & Leola Olivarez, has been a contributor to our group since the begging. The New York based company started printing shirts in 2004 and became very popular with the one-of-a-kind, multi layered hand silkscreened, colorful tees, not to mention they are mostly glow in the dark. You can find 1AEON items (t-shirts, sweatshirts, tote bags, scarfs) in several stores from NY to Tokyo. 1AEON’s style is inspired by mythological and futuristic imagery (from the site).

Their original designs and DIY feel have drawn us to find out more about their history and inner workings which have proved to be as interesting as the designs themselves. Finding out more about them has been informative and inspirational and hopefully future (and present) designers and fans of their work will agree; as it becomes harder to be original, words of inspiration tell us to just be ourselves and not work towards popular demand, good words. Here’s more!

SF: What got you into designing?
Gabe: Just to get it out of my chest. i would like to think, that im a creative person, always driven to creative art or music and so it was crucial to make something, because at the time i cloth every other social outlets..
Leola: I do the paperwork. Gabe does the designing. I add my input on the designs before they get printed.

SF: Did you go to school for design or find it unnecessary?
Gabe: I wish i did but i believe that you’ve either got an eye for design or you dont. Schools are great to practice and learn different techniques, but i don’t think that schools can give you talent. it most definitely could help to push yourself, or help you meet others interested in the same things as you in the same age group.
Leola: i am finishing school now and have found that as far as art is concerned, school is just for good practicing your talents.

SF: Did you work with another company as an apprentice first ? Have friends with a silkscreen, self taught, was that difficult or rewarding) etc?
Gabe: I learned the basics of silk-screening while working for my friends company (DEATH BY AUDIO) we built hand made guitar effect pedals then painted and silk-screened them. Since I’m terrible at building circuit boards so eventually my job was just making tons of silkscreens . Later, i tried to put some of my own ideas on tee shirts, but I failed a few times before i really understood what’s it was all about. Im a DIY guy and learned that the self taught methods work for me (playing guitar, computer skills, language).
Leola:no

SF:Who is your favorite designer or artist?
Gabe/Leola: right now without any order: Ben Tour,Jacob Bannon, Munk one, Kris Kuksi, Paul Laffoley, Florian Bertmer, Thomas Hooper, Dwid Hellion, Aaron Turner, Seldon Hunt, Josh Graham, Ryan Mcginness, El Greco, Caravaggio..etc

SF:Tell me about your newest ine, What was the inspiration or motivation for the designs?
Gabe: Unfortunately we don’t have any lines, we just spit out ideas randomly, the timing is really accidental. we pretty much just make something and put it out there.

SF: How many of each shirt do you usually make, do you like to keep the collections limited? Will you reprint a shirt if it sells out? why or why not.
Gabe: We like to keep it limited, and on a scale when it’s reasonable for us to do 100% of the production. We re use our screens after a while, so the designs are constantly changing and mixing. most of our shirts are real OOAK(one-of-a-kind).

SF: Any recommendations for others who want to start their own company (design/tshirts)?
Shirts: you’ll need a lot of these qualities: patience, time, finance, business skills, letting things go.
Design: Trust yourself/ be yourself, don’t make them to sell- if you looking for what’s in or what would people like, you’ll end up making (probably poor version ) the same thing that big companies make for cents, and even if you ‘ll end up selling them, people will like you for something you have nothing to do with and it’s sad. Dare to make something that is truly you. If it’ s original, you ‘ll get fans and followers in no time.
Leola: get an accountant and have a business plan. if you don’t you will be screwed with taxes and no direction to take your company. have a clear goal!

Please Visit their website: www.1aeon.com
1AEON Myspace: www.myspace.com/1aeon

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